For Ferragamo’s Fall Winter 2026 campaign, the house celebrates the joy of its lifelong obsession with shoes through a fresh perspective. Drawing upon the house’s reoccurring visual motif of celebrated actresses and cinematic stars surrounded by an abundance of footwear. The work of contemporary artist Willie Cole appears centre stage in the campaign: his 1994 sculpture, composed of shoes, appearing as a throne for modern-day icon Anok Yai. “Willie takes everyday objects: objects that you feel connected to, that you can relate to, and distorts them,” reflects creative director Maximilian Davis. “The chair feels very surreal, but immediate – and, with my recent collections referencing Surrealism and Dadaism, the collaboration felt right.” Ferragamo Fall Winter 26 Creative Director: Maximilian Davis Creative Agency: Baron and Baron Artwork by Willie Cole as part of Collection Museum Voorlinden Director and Photographer: Johnny Dufort Stylist: Lotta Volkova Talent: Anok Yai Casting Director: 11 Casting Hair and Make-up: Virginie Moreira and Thom Walker
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Ferragamo Centers Willie Cole’s Shoe Sculpture for AW26
The campaign image places artist Willie Cole’s 1994 shoe-composed sculpture at the visual center, functioning as a throne for model Anok Yai. The house’s caption explicitly connects this to its recurring motif of cinematic stars amid an abundance of footwear, framing heritage through a contemporary art reference rather than archival product display.
Ferragamo’s decision to build its AW26 campaign around a repurposed everyday object—a sculpture made from shoes—shifts the storytelling register from product archive to conceptual art dialogue. Where a heritage footwear house might default to craftsmanship shots or vintage silhouettes, the brand instead borrows institutional credibility from a fine artist whose practice centers on transforming the familiar. The move reframes the house’s “lifelong obsession with shoes” as something closer to a curatorial position: the shoe as cultural artifact, not commercial object. This aligns with a broader luxury strategy emerging across Milan houses—think of Bottega Veneta’s sustained collaboration with Gaetano Pesce—where art adjacency replaces pure fashion authority. For Ferragamo, which has been working to re-establish cultural relevance under Maximilian Davis, the Cole partnership signals a quiet but deliberate elevation of intellectual capital. The risk is that the art reference eclipses the product; the reward is that shoes become a conceptual anchor the house can return to without nostalgia. Watch for whether this curatorial framing extends into physical retail environments or remains confined to campaign-level image-making.
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